I call my work Surrealism–Magical Realism: a language weaving the internal and external, the personal and collective, into something familiar yet strange. My paintings are less depictions than spaces—liminal terrains where memory, myth, and psychology converge, places where emotions can surface unapologetically. Much begins in sudden flashes—images sparked by words, sounds, or fragments I note before their meaning emerges. Later, I find they align with histories, mythologies, and archetypes I study, as though channelled from the collective unconscious. My work is excavation, not invention—an offering of worlds to step into, stay with, and be transformed by.