Idealization of an art exhibition in Florence
Fashion & Commercial
As part of our Masterās in Museum Innovation in Florence, my class and I designed an exhibition on Cosimo I deā Medici and Giorgio Vasariākey figures of the Florentine Renaissance, known for shaping Medici power and art history itself. Set in the iconic Palazzo Vecchio, the show featured educational activities for schools and fully accessible tours in the stunning Salone dei Cinquecento. The photo shows the exhibition catalogue.
Tre croci
Fashion & Commercial
I designed, printed, and sold custom t-shirts for the Palio di San Rocco, a traditional donkey race held in Montemitro, a small community in southern Italy (CB). The race features four donkeys, each representing a neighborhood: Tre Croci, Piazza, Castello, and SantāAngelo. My illustrations reflect local identity and traditions. This shirt, in particular, represents the Tre Croci district. Itās an inclusive event deeply rooted in community values, attracting people from nearby towns and strengthening local pride. This hands-on project deepened my passion for accessible creativity and community-driven initiatives.
Art ehibition at Museo degli Innocenti, Florence
Visual Arts
In May 2024, I assisted in curating and supervising a student visual arts exhibition from the Academy of Fine Arts, hosted at the Museo degli Innocenti, Florence. As part of a private event, I supported the setup, monitored the venueās courtyards, ensured guest access, and contributed to a smooth and welcoming experience. I also helped promote the exhibition through social media, highlighting the museumās commitment to accessibility, education, and community engagement.
soldati
Visual Arts
āSoldatiā (soldiers) is an oil piece with dark tones and cubic forms, a reflection on the impact of war. It explores conflict, dehumanization and collective memory. Through this work, I try to use visual language to raise questions.
the Friday market
Visual Arts
This black-and-white Polaroid portrait shows a woman at the local market, the heart of Montemitro (CB), a small village of around 300 residents in southern Italy. The beloved birthplace of my family. The photo was part of a series of 10 shots for Okolo Grada (āAround the Townā in Croatian), a photography contest aimed at capturing everyday life and the spirit of the community. Montemitro is home to a Croatian linguistic minority, and the project reflects values of sharing, identity, and local promotion. Through initiatives like this, led by young people, the village seeks to preserve its heritage and bring new energy to a place at risk of disappearing.
Oriental?
Visual Arts
I created a mixed-media portrait of an asian figure using collage from newspaper scraps for an art competition in Australia. The piece explored identity and cultural layering. (I lived in Australia from 2022 to 2023 on a Working Holiday Visa, which deepened my interest in cross-cultural dialogue).
the thinking migrant
Visual Arts
While living in Australia (2022-2023) on a Working Holiday Visa, I drew this pencil portrait of a girl deep in thought. The piece reflected on the emotional weight of migration and belonging.
fil rouge
Visual Arts
This drawing connects my passions: music through the piano staff, sport with the ball and the net and nature with trees. āFil rougeā represents how my creativity is born from what I love and who I am.
maschere di Veneziaš
Visual Arts
My tempera drawing is inspired by the Venice Carnival, a vibrant tradition in the city where I study. Venice is full of insights, creative events and multicultural energy, which deeply influenced this work. The colorful masks represent movement, joy and the dynamic spirit of the city.
Il contadino
Visual Arts
I drew a portrait of a farmer. The work was a reflection on cultural identity and the value of conmunity heritage. It speaks to my interest in how tradition and innovation can coexist.
Ponte
Visual Arts
One of my most personal drawings is a blue horse titled āPonteā (bridge in italian). The color represents freedom for me, and the horse, a symbol of strenght and movement, became a way to express ambition, change and fluid identity. It reflects my belief in art as bridge toward inclusivity and transformation imaging idyllic futures.
About ā¢ Biography
šØ Iām a student of Arts Economics in Venice, passionate about the art world and the freedom of travel. In my free time, I love drawing with oil, tempera, pencil, and acrylic, exploring both inner and outer landscapes. I travel for love and to expand my mental horizons, because āthe limits of my language mean the limits of my world.āšāļø Here, youāll find a mix of my artistic creations šļøand my support work with museums and artists. š¼ļø
Idealization of an art exhibition in Florence
Fashion & Commercial
As part of our Masterās in Museum Innovation in Florence, my class and I designed an exhibition on Cosimo I deā Medici and Giorgio Vasariākey figures of the Florentine Renaissance, known for shaping Medici power and art history itself. Set in the iconic Palazzo Vecchio, the show featured educational activities for schools and fully accessible tours in the stunning Salone dei Cinquecento. The photo shows the exhibition catalogue.
Tre croci
Fashion & Commercial
I designed, printed, and sold custom t-shirts for the Palio di San Rocco, a traditional donkey race held in Montemitro, a small community in southern Italy (CB). The race features four donkeys, each representing a neighborhood: Tre Croci, Piazza, Castello, and SantāAngelo. My illustrations reflect local identity and traditions. This shirt, in particular, represents the Tre Croci district. Itās an inclusive event deeply rooted in community values, attracting people from nearby towns and strengthening local pride. This hands-on project deepened my passion for accessible creativity and community-driven initiatives.
Art ehibition at Museo degli Innocenti, Florence
Visual Arts
In May 2024, I assisted in curating and supervising a student visual arts exhibition from the Academy of Fine Arts, hosted at the Museo degli Innocenti, Florence. As part of a private event, I supported the setup, monitored the venueās courtyards, ensured guest access, and contributed to a smooth and welcoming experience. I also helped promote the exhibition through social media, highlighting the museumās commitment to accessibility, education, and community engagement.
soldati
Visual Arts
āSoldatiā (soldiers) is an oil piece with dark tones and cubic forms, a reflection on the impact of war. It explores conflict, dehumanization and collective memory. Through this work, I try to use visual language to raise questions.
the Friday market
Visual Arts
This black-and-white Polaroid portrait shows a woman at the local market, the heart of Montemitro (CB), a small village of around 300 residents in southern Italy. The beloved birthplace of my family. The photo was part of a series of 10 shots for Okolo Grada (āAround the Townā in Croatian), a photography contest aimed at capturing everyday life and the spirit of the community. Montemitro is home to a Croatian linguistic minority, and the project reflects values of sharing, identity, and local promotion. Through initiatives like this, led by young people, the village seeks to preserve its heritage and bring new energy to a place at risk of disappearing.
Oriental?
Visual Arts
I created a mixed-media portrait of an asian figure using collage from newspaper scraps for an art competition in Australia. The piece explored identity and cultural layering. (I lived in Australia from 2022 to 2023 on a Working Holiday Visa, which deepened my interest in cross-cultural dialogue).
the thinking migrant
Visual Arts
While living in Australia (2022-2023) on a Working Holiday Visa, I drew this pencil portrait of a girl deep in thought. The piece reflected on the emotional weight of migration and belonging.
fil rouge
Visual Arts
This drawing connects my passions: music through the piano staff, sport with the ball and the net and nature with trees. āFil rougeā represents how my creativity is born from what I love and who I am.
maschere di Veneziaš
Visual Arts
My tempera drawing is inspired by the Venice Carnival, a vibrant tradition in the city where I study. Venice is full of insights, creative events and multicultural energy, which deeply influenced this work. The colorful masks represent movement, joy and the dynamic spirit of the city.
Il contadino
Visual Arts
I drew a portrait of a farmer. The work was a reflection on cultural identity and the value of conmunity heritage. It speaks to my interest in how tradition and innovation can coexist.
Ponte
Visual Arts
One of my most personal drawings is a blue horse titled āPonteā (bridge in italian). The color represents freedom for me, and the horse, a symbol of strenght and movement, became a way to express ambition, change and fluid identity. It reflects my belief in art as bridge toward inclusivity and transformation imaging idyllic futures.